Chamber orchestra reduction for 25 musicians minimum. (33:00-35:00)

Instrumentation:
2(1.2/picc/afl)2(1.2/eh)2(1/E♭cl.2/bcl)1—2.2.1.1—pno—timp.perc(1):BD/tri/crot/tam-tam/guiro/tamb/cr cym/china cym—2.2.2.2.1

At last a wonderful reduction that not only fits into a medium sized pit, but also manages to capture the sonic impact of Stravinsky’s iconic work. One would expect the multiple parts that have been deftly sewn together to be virtuosic and they are: but certainly not impossible! The dancers prior to the first rehearsal were concerned that some of their “aural” cues might be missing and were pleasantly surprised that they heard everything needed to perform their best. In fact they found the energy coming from the pit to be inspiring. Some audience members articulated their amazement on just how good this version sounded.

This version is a welcome addition to the ballet orchestra repertoire. If you are considering a Rite of Spring production, you owe it to yourself to peruse Morgan Denney’s brilliant adaptation.

—Wes Kenney (Music Director, Fort Collins Symphony)

Morgan Denney’s masterful reduction of Rite of Spring was nothing short of extraordinary for Canyon Concert Ballet’s production. Her arrangement preserved the raw power and complexity of Stravinsky’s iconic score while making it accessible for a smaller ensemble, without losing any of its emotional intensity or rhythmic drive.

Morgan’s work allowed our dancers to engage with the music in an incredibly intimate and visceral way, deepening the connection between movement and sound. Her reduction elevated our performance to a new level, allowing us to bring a bold and ambitious work to life with clarity, impact, and artistic integrity.

We are immensely grateful for her contribution and can’t wait to collaborate with her again.

—Michael Pappalardo (Artistic Director, Canyon Concert Ballet)

Listen and preview score:

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